By William Shakespeare. This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain. This particular ebook is based on a transcription produced for the Massachusetts Institute of Technology and on digital scans available at the HathiTrust Digital Library. The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook. Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org. The Duke of Venice The Prince of Morocco, suitor to Portia The Prince of Arragon, suitor to Portia Antonio, a merchant of Venice Bassanio, his friend, suitor likewise to Portia Salanio, friend to Antonio and Bassiano Salarino, friend to Antonio and Bassiano Gratiano, friend to Antonio and Bassiano Salerio, friend to Antonio and Bassiano Lorenzo, in love with Jessica Shylock, a rich Jew Tubal, a Jew, his friend Launcelot Gobbo, the clown, servant to Shylock Old Gobbo, father to Launcelot Leonardo, servant to Bassiano Balthasar, servant to Portia Stephano, servant to Portia Portia, a rich heiress Nerissa, her waiting-maid Jessica, daughter to Shylock Magnificoes of Venice, officers of the court of justice, gaoler, servants to Portia, and other attendants Scene: Partly at Venice, and partly at Belmont, the seat of Portia, on the Continent. Venice. A street. In sooth, I know not why I am so sad: Your mind is tossing on the ocean; Believe me, sir, had I such venture forth, My wind cooling my broth Believe me, no: I thank my fortune for it, Not in love neither? Then let us say you are sad, Here comes Bassanio, your most noble kinsman, I would have stay’d till I had made you merry, Your worth is very dear in my regard. Good signiors both, when shall we laugh? say, when? My Lord Bassanio, since you have found Antonio, You look not well, Signior Antonio; I hold the world but asThe Merchant of Venice
Imprint
Dramatis Personae
The Merchant of Venice
Act I
Scene I
Enter Antonio, Salarino, and Salanio.
Antonio
It wearies me; you say it wearies you;
But how I caught it, found it, or came by it,
What stuff ’tis made of, whereof it is born,
I am to learn;
And such a want-wit sadness makes of me,
That I have much ado to know myself.
Salarino
There, where your argosies with portly sail,
Like signiors and rich burghers on the flood,
Or, as it were, the pageants of the sea,
Do overpeer the petty traffickers,
That curtsy to them, do them reverence,
As they fly by them with their woven wings.
Salanio
The better part of my affections would
Be with my hopes abroad. I should be still
Plucking the grass, to know where sits the wind,
Peering in maps for ports and piers and roads;
And every object that might make me fear
Misfortune to my ventures, out of doubt
Would make me sad.
Salarino
Would blow me to an ague, when I thought
What harm a wind too great at sea might do.
I should not see the sandy hour-glass run,
But I should think of shallows and of flats,
And see my wealthy Andrew dock’d in sand,
Vailing her high-top lower than her ribs
To kiss her burial. Should I go to church
And see the holy edifice of stone,
And not bethink me straight of dangerous rocks,
Which touching but my gentle vessel’s side,
Would scatter all her spices on the stream,
Enrobe the roaring waters with my silks,
And, in a word, but even now worth this,
And now worth nothing? Shall I have the thought
To think on this, and shall I lack the thought
That such a thing bechanced would make me sad?
But tell not me; I know, Antonio
Is sad to think upon his merchandise.
Antonio
My ventures are not in one bottom trusted,
Nor to one place; nor is my whole estate
Upon the fortune of this present year:
Therefore my merchandise makes me not sad.
Salarino
Why, then you are in love.
Antonio
Fie, fie!
Salarino
Because you are not merry: and ’twere as easy
For you to laugh and leap and say you are merry,
Because you are not sad. Now, by two-headed Janus,
Nature hath framed strange fellows in her time:
Some that will evermore peep through their eyes
And laugh like parrots at a bag-piper,
And other of such vinegar aspect
That they’ll not show their teeth in way of smile,
Though Nestor swear the jest be laughable.
Enter Bassanio, Lorenzo, and Gratiano.
Salanio
Gratiano and Lorenzo. Fare ye well:
We leave you now with better company.
Salarino
If worthier friends had not prevented me.
Antonio
I take it, your own business calls on you
And you embrace the occasion to depart.
Salarino
Good morrow, my good lords.
Bassanio
You grow exceeding strange: must it be so?
Salarino
We’ll make our leisures to attend on yours. Exeunt Salarino and Salanio.
Lorenzo
We two will leave you: but at dinner-time,
I pray you, have in mind where we must meet.
Bassanio
I will not fail you.
Gratiano
You have too much respect upon the world:
They lose it that do buy it with much care:
Believe me, you are marvellously changed.
Antonio