but unevidenced. Clearly, from the song, “the smokey life” is one where all tangible reference points have evaporated. The thrust of the song is that when this happens (as it does “everywhere”), one must not panic: one must continue, one must survive. A live version was included on Field Commander Cohen – Tour Of 1979 (2001).
The Stranger Song It’s true that all the men you knew were dealers who said they were through with dealing Every time you gave them shelter I know that kind of man It’s hard to hold the hand of anyone who is reaching for the sky just to surrender, who is reaching for the sky just to surrender. And then sweeping up the jokers that he left behind you find he did not leave you very much not even laughter Like any dealer he was watching for the card that is so high and wild he’ll never need to deal another He was just some Joseph looking for a manger He was just some Joseph looking for a manger And then leaning on your window sill he’ll say one day you caused his will to weaken with your love and warmth and shelter And then taking from his wallet an old schedule of trains, he’ll say I told you when I came I was a stranger I told you when I came I was a stranger. But now another stranger seems to want you to ignore his dreams as though they were the burden of some other O you’ve seen that man before his golden arm dispatching cards but now it’s rusted from the elbows to the finger And he wants to trade the game he plays for shelter Yes he wants to trade the game he knows for shelter. Ah you hate to see another tired man lay down his hand like he was giving up the holy game of poker And while he talks his dreams to sleep you notice there’s a highway that is curling up like smoke above his shoulder. It is curling just like smoke above his shoulder. You tell him to come in sit down but something makes you turn around The door is open you can’t close your shelter You try the handle of the road It opens do not be afraid It’s you my love, you who are the stranger It’s you my love, you who are the stranger. Well, I’ve been waiting, I was sure we’d meet between the trains we’re waiting for I think it’s time to board another Please understand, I never had a secret chart to get me to the heart of this or any other matter When he talks like this you don’t know what he’s after When he speaks like this, you don’t know what he’s after. Let’s meet tomorrow if you choose upon the shore, beneath the bridge that they are building on some endless river Then he leaves the platform for the sleeping car that’s warm You realize, he’s only advertising one more shelter And it comes to you, he never was a stranger And you say ok the bridge or someplace later. And then sweeping up the jokers that he left behind ... And leaning on your window sill ... I told you when I came I was a stranger. One of Cohen’s earliest songs, it was included on Songs Of Leonard Cohen (1967) and on Field Commander Cohen – Tour Of 1979 (2001). A number of phrases (“he wants to trade the game he plays for shelter” and “you hate to watch another tired man / lay down his hand / like he was giving up the holy game of poker”) can be read as metaphors for Cohen’s abandonment of his literary ambitions for the “shelter” of a musical career. The song is also a good early example of a Cohen trademark – the use of religious images and vocabulary for non-religious purposes. The Traitor Now the Swan it floated on the English river Ah the Rose of High Romance it opened wide A sun tanned woman yearned me through the summer and the judges watched us from the other side I told my mother “Mother I must leave you preserve my room but do not shed a tear Should rumour of a shabby ending reach you it was half my fault and half the atmosphere” But the Rose I sickened with a scarlet fever and the Swan I tempted with a sense of shame She said at last I was her finest lover and if she withered I would be to blame The judges said you missed it by a fraction rise up and brace your troops for the attack Ah the dreamers ride against the men of action Oh see the men of action falling back But I lingered on her thighs a fatal moment I kissed her lips as though I thirsted still My falsity had stung me like a hornet The poison sank and it paralysed my will I could not move to warn all the younger soldiers that they had been deserted from above So on battlefields from here to Barcelona I’m listed with the enemies of love And long ago she said “I must be leaving, Ah but keep my body here to lie upon You can move it up and down and when I’m sleeping Run some wire through that Rose and wind the Swan” So daily I renew my idle duty I touch her here and there -- I know my place I kiss her open mouth and I praise her beauty and people call me traitor to my face Included on Recent Songs (1984), this song includes fine examples of Cohen’s literary skills. The phrase “a suntanned woman yawned me through the summer” is wonderfully evocative. An earlier version of the song, then called ‘The Traitor Song’, was played on Cohen’s 1975 tour. At that time, it was co-credited to John Lissauer, but he did not play on and is not credited for the album version. The Window Why do you stand by the window Abandoned to beauty and pride The thorn of the night in your bosom The spear of the age in your side Lost in the rages of fragrance Lost in the rags of remorse Lost in the waves of a sickness That loosens the high silver nerves Oh chosen love, Oh frozen love Oh tangle of matter and ghost Oh darling of angels, demons and saints And the whole broken-hearted host Gentle this soul And come forth from the cloud of unknowing And kiss the cheek of